William Henry Goodyear (1846–1923), whose image collections are presented here, was the Brooklyn Museum's first curator of fine arts (1899–1923) and a renowned art and architectural historian. In addition to being a vital force in the early years of the Museum's fine arts department, Goodyear did extensive research in art history and architectural theory.
The entire Goodyear Archival Collection can also be found on the Brooklyn Museum Web site.
These photos are part of The Commons on Flickr. Read more about that here and here.
Brian Karpuk (a.k.a., newsburgler on flickr) has been working with some of our Commons material on his blog. He's created a walk-thru the World's Columbian Exposition and mashed up this panorama (best viewed at original size) to give a better sense of how all these buildings fit together.
The World's Columbian Exposition (the official shortened name for the World's Fair: Columbian Exposition, also known as The Chicago World's Fair) was a World's Fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus' arrival in the New World in 1492. The iconic centerpiece of the Fair, the large pond of water, was there to represent the long voyage Columbus took to the New World. Chicago bested New York City; Washington, D.C.; and St. Louis for the honor of hosting the fair. The fair was an influential social and cultural event. The fair had a profound effect on architecture, sanitation, the arts, Chicago's self-image, and American industrial optimism. The Chicago Columbian Exposition was, in large part, designed by Daniel Burnham and Frederick Law Olmsted. It was the prototype of what Burnham and his colleagues thought a city should be. It was designed to follow Beaux Arts principles of design, namely French neoclassical architecture principles based on symmetry, balance, and splendor.
The exposition covered more than 600 acres (2.4 km2), featuring nearly 200 new (but purposely temporary) buildings of predominantly neoclassical architecture, canals and lagoons, and people and cultures from around the world. More than 27 million people attended the exposition during its six-month run. Its scale and grandeur far exceeded the other world fairs, and it became a symbol of the emerging American Exceptionalism, much in the same way that the Great Exhibition became a symbol of the Victorian era United Kingdom.