Eguisheim, Alsace

Alsace (French: Alsace [al.zas] ( listen); Alsatian: ’s Elsass [ˈɛlsɑs]; German:  Elsass (help·info), pre-1996: Elsaß [ˈɛlzas]; Latin: Alsatia) is the fifth-smallest of the 27 regions of France in land area (8,280 km²), and the smallest in metropolitan France. It is also the seventh-most densely populated region in France and third most densely populated region in metropolitan France, with ca. 220 inhabitants per km² (total population in 2006: 1,815,488; 1 January 2008 estimate: 1,836,000). Historically and in identity one of the most vital parts of Lorraine (duchy), Alsace is located on France's eastern border and on the west bank of the upper Rhine adjacent to Germany and Switzerland. However, as far as the division of France into official politically administered "regions" goes, historical decisions, wars, and strategic politics, resulted in Alsace now being administered separately as its own "region" within the Republic of France. The political, economic and cultural capital as well as largest city of Alsace is Strasbourg. Because that city is the seat of dozens of international organizations and bodies, Alsace is politically one of the two important regions in the European Union.

Eguisheim (German: Egisheim) is a commune in the Haut-Rhin department in Alsace in north-eastern France.

Eguisheim produces Alsace wine of high quality. The commune is largely German-speaking.

Les Plus Beaux Villages de France ("The most beautiful villages of France") is an independent association, created in 1982, that aims to promote small and picturesque French villages of quality heritage. As of 2008, 152 villages in France have been labelled as the "Plus Beaux Villages de France".

There are a few criteria before entering the association: the population of the village must not exceed 2,000 inhabitants, there must be at least 2 protected areas (picturesque or legendary sites, or sites of scientific, artistic or historic interest), and the decision to apply must be taken by the town council.

Similar associations have been set up in Belgium (Les Plus Beaux Villages de Wallonie), Quebec (Les Plus Beaux Villages du Québec) and Italy (I Borghi Piu Belli d'Italia).

France is divided into 27 administrative regions (French: régions, pronounced: [ʁe.ʒjɔ̃]), 22 of which are in Metropolitan France, and five of which are overseas. Corsica is a territorial collectivity (French collectivité territoriale), but is considered a region in mainstream usage, and is even shown as such on the INSEE website. Each mainland region and Corsica are further subdivided into departments, ranging in number from 2 to 8 per region for the metropolitan ones whereas the overseas regions technically consist of only one department each. The term region was officially created by the Law of Decentralisation (2 March 1982), which also gave regions their legal status. The first direct elections for regional representatives took place on 16 March 1986.

Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770, a practical book which instructed England's leisured travelers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century.

The term "picturesque" needs to be explained in terms of its relationship to two other aesthetic ideals: those of the beautiful and the sublime. By the last third of the 18th century, Enlightenment rationalist ideas about aestheticism were being challenged by looking at the experiences of beauty and sublimity as being non-rational (instinctual). Aesthetic experience was not just a rational decision - one did not look at a pleasing curved form and decide it was beautiful - rather it was a matter of basic human instinct and came naturally. Edmund Burke in his 1757 Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful said the soft gentle curves appealed, he thought, to the male sexual desire, while the sublime horrors appealed to our desires for self-preservation. Picturesque arose as a mediator between the opposed ideals of beauty and the sublime, showing the possibilities that existed in between these two rationally idealized states. As Thomas Gray wrote in 1765 of the Scottish Highlands "The mountains are ecstatic.. None but.. God know how to join so much beauty with so much horror." See also Gilpin and the picturesque.