Bust of a Faun

The Norton Museum of Art is an art museum located in West Palm Beach, Florida. Its collection includes over 5,000 works, with a concentration in European, American, and Chinese art as well as in contemporary art and photography.

The museum was founded in 1941 by Ralph Hubbard Norton (1875–1953) and his first wife, Elizabeth Calhoun Norton (1881–1947).

Norton, the former head of the Chicago-based Acme Steel Co., moved to West Palm Beach upon retirement and decided to share his sizable collection of paintings and sculpture. The late Art Deco/Neoclassical building designed by Marion Sims Wyeth opened its doors to the public on February 8, 1941. Its mission statement is "to preserve for the future the beautiful things of the past."

The museum underwent a significant expansion when the 45,000-square-foot (4,200 m²) Gail and Melvin Nessel Wing was built and increased the size of the museum to 122,500 square feet (11,380 m²). Constructed over two years, it was opened to the public in 2003. The expansion created more space to display art in both the new and existing areas, increasing the Norton's gallery space by 75 percent, allowing more opportunities for the museum's permanent collection. The wing includes 14 new galleries, an enclosed courtyard to accommodate a variety of educational and social events, a glass ceiling installation commissioned from Dale Chihuly, a cantilevered spiral staircase, and three-story atrium designed to evoke the museum's art. The new wing was designed by Chad Floyd of the Connecticut-based Centerbrook Architects.

Pablo Ruiz y Picasso, known as Pablo Picasso (Spanish: [ˈpaβlo piˈkaso]; 25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, and stage designer who spent most of his adult life in France. As one of the greatest and most influential artists of the 20th century, he is widely known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a portrayal of the German bombing of Guernica during the Spanish Civil War.

Picasso, Henri Matisse and Marcel Duchamp are commonly regarded as the three artists who most defined the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting, sculpture, printmaking and ceramics.

The faun (Latin: faunus, Ancient Greek: φαῦνος, phaunos, pronounced [pʰaynos]) is a rustic forest god or goddess (genii) of Roman mythology often associated with enchanted woods and the Greek god Pan and his satyrs.

Cubism is an early-20th-century avant-garde art movement pioneered by Georges Braque and Pablo Picasso, and later joined by Juan Gris, Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, and Fernand Léger, that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre, Montparnasse and Puteaux) during the 1910s and extending through the 1920s. Variants such as Futurism and Constructivism developed in other countries. A primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne, which were displayed in a retrospective at the 1907 Salon d'Automne. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context.

This is a list of some works by Spanish painter Pablo Picasso, from 1941 on to 1950.

20th-century Western painting begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck revolutionized the Paris art world with "wild", multi-colored, expressive, landscapes and figure paintings that the critics called Fauvism. Henri Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.

Initially influenced by Toulouse-Lautrec, Gauguin and other late-19th-century innovators Pablo Picasso made his first cubist paintings based on Cézanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone. With the painting Les Demoiselles d'Avignon 1907, (see gallery) Picasso dramatically created a new and radical picture depicting a raw and primitive brothel scene with five prostitutes, violently painted women, reminiscent of African tribal masks and his own new Cubist inventions. Analytic cubism (see gallery) was jointly developed by Pablo Picasso and Georges Braque, exemplified by Violin and Candlestick, Paris, from about 1908 through 1912. Analytic cubism, the first clear manifestation of cubism, was followed by Synthetic cubism, practised by Braque, Picasso, Fernand Léger, Juan Gris, Albert Gleizes, Marcel Duchamp and several other artists into the 1920s. Synthetic cubism is characterized by the introduction of different textures, surfaces, collage elements, papier collé and a large variety of merged subject matter.