Burning Hell

In many mythological, folklore and religious traditions, hell is a place of eternal torture and punishment in an afterlife, often after resurrection. Religions with a linear divine history often depict hells as endless. Religions with a cyclic history often depict a hell as an intermediary period between incarnations. Typically these traditions locate hell under the Earth's external surface and often include entrances to Hell from the land of the living. Other afterlife destinations include Heaven, Purgatory, Paradise, and Limbo.

Other traditions, which do not conceive of the afterlife as a place of punishment or reward, merely describe hell as an abode of the dead, a neutral place located under the surface of Earth (for example, see sheol and Hades). Modern understandings of hells often depict them abstractly, as a state of loss rather than as fiery torture literally underground, but this view of the concept of a hell can, in fact, be traced back into the ancient and medieval periods as well.^{[citation needed]} Hell is sometimes portrayed as populated with demons who torment those dwelling there. Many are ruled by a death god such as Nergal, Hades, Hel, Enma or the Devil.

Relief, or relievo rilievo, is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone or wood is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise with little artistic effect if the lowered background is left plain, as is often the case. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.

There are different degrees of relief depending on the degree of projection of the sculpted form from the field, for which the Italian appellations are still sometimes used. The full range includes high relief (alto-rilievo), where more than 50% of the depth is shown and there may be undercut areas, mid-relief (mezzo-rilievo), low-relief (basso-rilievo, or French: bas-relief), and shallow-relief or rilievo schiacciato, where the plane is scarcely more than scratched in order to remove background material. There is also sunk relief, which was mainly restricted to Ancient Egypt. However the distinction between high relief and low relief is the clearest and most important, and these two are generally the only terms used to discuss most work. The definition of these terms is somewhat variable, and many works combine areas in more than one of them, sometimes sliding between them in a single figure; accordingly some writers prefer to avoid all distinctions. The opposite of relief sculpture is counter-relief, intaglio, or cavo-rilievo, where the form is cut into the field or background rather than rising from it; this is very rare in monumental sculpture.

The Devil (from Greek: διάβολος or diábolos = slanderer or accuser) is believed in many religions, myths and cultures to be a supernatural entity that is the personification of evil and the enemy of God and humankind. The nature of the role varies greatly, ranging from being an effective opposite force to the creator god, locked in an eons long struggle for human souls on what may seem even terms (to the point of dualistic ditheism/bitheism), to being a comical figure of fun or an abstract aspect of the individual human condition.

While mainstream Judaism contains no overt concept of a devil, Christianity and Islam have variously regarded the Devil as a rebellious fallen angel or demon that tempts humans to sin, if not commit evil deeds himself. In these religions – particularly during periods of division or external threat – the Devil has assumed more of a dualistic status commonly associated with heretics, infidels, and other unbelievers. As such, the Devil is seen as an allegory that represents a crisis of faith, individualism, free will, wisdom and enlightenment.