Sankeien garden

Sankei-en (三溪園, Sankei Garden^?) is a traditional Japanese-style garden in Naka Ward, Yokohama, Japan, which opened in 1906. Sankei-en was designed and built by Tomitaro Hara (原富太郎^?) (1868–1939), known by the pseudonym Sankei Hara, who was a silk trader. Almost all of its buildings are historically significant structures bought by Hara himself in locations all over the country, among them Tokyo, Kyoto, Kamakura, Gifu Prefecture, and Wakayama prefecture. Ten have been declared Important Cultural Property, and three more are Tangible Cultural Properties of Japan designated by the City of Yokohama. Badly damaged during World War II, the garden was donated in 1953 to the City of Yokohama, which entrusted it to the Sankeien Hoshōkai Foundation (三溪園保勝会, Sankeien Hoshōkai^?). Sankei-en was then restored almost to its pre-war condition.

This is a redirect from a modification of the target's title; for example, its words are rearranged, or punctuation in the name is changed. In cases of modification from distinctly longer or shorter names, please use {{R from an incomplete name}} or {{R from full name}}.

Yokohama (横浜市, Yokohama-shi^?) ( listen (help·info)) is the capital city of Kanagawa Prefecture and the second largest city in Japan by population after Tokyo and most populous municipality of Japan. It lies on Tokyo Bay, south of Tokyo, in the Kantō region of the main island of Honshu. It is a major commercial hub of the Greater Tokyo Area.

Yokohama's population of 3.7 million makes it Japan's largest incorporated city. Yokohama had been the world's largest suburb until the formation of New Taipei (excluding Mainland China as cities there are nonstandard).

Yokohama developed rapidly as Japan's prominent port city following the end of Japan's relative isolation in the mid-19th century, and is today one of its major ports along with Kobe, Osaka, Nagoya, Hakata, Tokyo, and Chiba.

As administered by the Japanese government's Agency for Cultural Affairs, the Cultural Properties of Japan (文化財, bunkazai^?) include tangible properties (structures and works of art or craft); intangible properties (performing arts and craft techniques); folk properties both tangible and intangible; monuments historic, scenic and natural; cultural landscapes; and groups of traditional buildings. Buried properties and conservation techniques are also protected. Together these cultural properties are to be preserved and utilized as the heritage of the Japanese people.

To protect Japan's cultural heritage, the Law for the Protection of Cultural Properties contains a "designation system" (指定制度^?) under which selected important items are designated as Cultural Properties, which imposes restrictions on the alteration, repair, and export of such designated objects. Designation can occur at a national (国指定文化財^?), prefectural (都道府県指定文化財^?) or municipal (市町村指定文化財^?) level. As of 1 February 2012, there were approximately sixteen thousand nationally-designated, twenty-one thousand prefecturally-designated, and eighty-six thousand municipally-designated properties (one property may include more than one item). Besides the designation system there also exists a "registration system" (登録制度^?), which guarantees a lower level of protection and support.

In architecture a pavilion (from French, "pavillon", from Latin "papilio") has two primary meanings. It can refer to a free-standing structure sited a short distance from a main residence, whose architecture makes it an object of pleasure. Large or small, there is usually a connection with relaxation and pleasure in its intended use. A pavilion built to take advantage of a view is referred to as a gazebo.

In its other primary meaning, in a symmetrical range of buildings in the classical styles, where there is a main central block – the corps de logis – the wings may end in pavilions that are emphasized in some fashion, in order to provide a full stop to the composition, like a period at the end of a sentence.

Japanese gardens (日本庭園, nihon teien^?) are traditional gardens that create miniature idealized landscapes, often in a highly abstract and stylized way. The gardens of the Emperors and nobles were designed for recreation and aesthetic pleasure, while the gardens of Buddhist temples were designed for contemplation and meditation.

Japanese garden styles include karesansui, Japanese rock gardens or zen gardens, which are meditation gardens where white sand replaces water; roji, simple, rustic gardens with teahouses where the Japanese tea ceremony is conducted; kaiyū-shiki-teien, promenade or stroll gardens, where the visitor follows a path around the garden to see carefully composed landscapes; and tsubo-niwa, small courtyard gardens.

Japanese gardens were developed under the influences of the Chinese gardens, but gradually Japanese garden designers began to develop their own aesthetics, based on Japanese materials and Japanese culture. By the Edo period, the Japanese garden had its own distinct appearance. Since the end of the 19th century, Japanese gardens have also been adapted to Western settings.