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Ivoire Barberini — Fotopedia
Feuillet de diptyque en cinq parties
L'Empereur triomphant (Justinien ?)
1ère moitié du VI° siècle
Ivoire, restes d'incrustations
H.: 34,20 cm., L.: 26,80 cm., Pr.: 2,80 cm.
Département des Objets d'art, OA 9063


Wikipedia Article

Byzantine art is the term commonly used to describe the artistic products of the Byzantine Empire from about the 5th century until the Fall of Constantinople in 1453.

The term can also be used for the art of Eastern Orthodox states which were contemporary with the Byzantine Empire and were culturally influenced by it, without actually being part of it (the "Byzantine commonwealth"), such as Bulgaria, Serbia, or Rus and also for the art of the Republic of Venice and Kingdom of Sicily, which had close ties to the Byzantine Empire despite being in other respects part of western European culture. Art produced by Eastern Orthodox Christians living in the Ottoman Empire is often called "post-Byzantine." Certain artistic traditions that originated in the Byzantine Empire, particularly in regard to icon painting and church architecture, are maintained in Greece, Serbia, Bulgaria, Russia and other Eastern Orthodox countries to the present day.

The Barberini ivory is a Byzantine ivory leaf from an imperial diptych dating from Late Antiquity, now in the Louvre in Paris. It is carved in the style known as late Theodosian, representing the emperor as triumphant victor. It is generally dated from the first half of the sixth century and is attributed to an imperial workshop in Constantinople, while the emperor is usually identified as Justinian, or possibly Anastasius I or Zeno. It is a notable historical document because it is linked to queen Brunhilda of Austrasia. On the back there is a list of names of Frankish kings, all relatives of Brunhilda, indicating the important position of queens within Frankish royal families. Brunhilda ordered the list to be inscribed and offered it to the church as a votive image.

Although it is not a consular diptych, it shares many features of their decorative schemes. The emperor is accompanied in the main panel by a conquered barbarian in trousers at left, a crouching allegorical figure, probably representing territory conquered or reconquered, who holds his foot in thanks or submission, and an angel or victory, crowning the emperor with the traditional palm of victory (which is now lost). Although the barbarian is partly hidden by the emperor's huge spear, this does not pierce him, and he seems more astonished and over-awed than combative. Above, Christ, with a fashionable curled hair-style, is flanked by two more angels in the style of pagan victory figures; he reigns above, while the emperor represents him below on earth. In the bottom panel barbarians from West (left, in trousers) and East (right, with ivory tusks, a tiger and a small elephant) bring tribute, which includes wild animals. The figure in the left panel, apparently not a saint but representing a soldier, carries a statuette of Victory; his counterpart on the right is lost.

The Byzantine Empire (or Byzantium) was the Eastern Roman Empire during the periods of Late Antiquity and the Middle Ages, centred on the capital of Constantinople. Known simply as the "Roman Empire" (Greek: Βασιλεία Ῥωμαίων, Basileia Rhōmaiōn) or Romania (Ῥωμανία) to its inhabitants and neighbours, it was the direct continuation of the Ancient Roman State and maintained Roman state traditions. Byzantium is today distinguished from ancient Rome proper insofar as it was oriented towards Greek culture, characterised by Christianity rather than Roman paganism and was predominantly Greek-speaking rather than Latin-speaking.

As the distinction between Roman Empire and Byzantine Empire is largely a modern convention, it is not possible to assign a date of separation, but an important point is Emperor Constantine I's transfer in 324 of the capital from Nicomedia (in Anatolia) to Byzantium on the Bosphorus, which became Constantinople, "City of Constantine" (alternatively "New Rome"). The Roman Empire was finally divided in 395 AD after the death of Emperor Theodosius I (r. 379–395), thus this date is also very important if the Byzantine Empire (or Eastern Roman Empire) is looked upon as completely separated from the West. The transition to Byzantine history proper finally begins during the reign of Emperor Heraclius (r. 610–641), since Heraclius effectively established a new state after reforming the army and administration by introducing themes and by replacing the official language of the Empire from Latin to Greek.

Justinian I ( /ʌˈstɪniən/); Latin: Flavius Petrus Sabbatius Iustinianus Augustus, Greek: Φλάβιος Πέτρος Σαββάτιος Ἰουστινιανός; May 11, 483 – 14 November 565), commonly known as Justinian the Great, was Byzantine Emperor from 527 to 565. During his reign, Justinian sought to revive the Empire's greatness and reconquer the lost western half of the classical Roman Empire.

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