Brera

The Academy of Fine Arts of Brera (Italian: Accademia di Belle Arti di Brera), also known as Brera Academy (Accademia di Brera), is a public academic institution located in Milan, Italy. It was founded in 1776 by HIM Maria Theresa of Austria.

The Pinacoteca di Brera ("Brera Art Gallery") is an art collection in Milan, Italy. It contains one of the foremost collections of Italian paintings, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.

The Palazzo Brera owes its name to the Germanic braida, indicating a grassy opening in the city structure: compare the Bra of Verona. The convent on the site passed to the Jesuits (1572), then underwent a radical rebuilding by Francesco Maria Richini (1627–28). When the Jesuits were disbanded in 1773, the palazzo remained the seat of the astronomical Observatory and the library founded by the Jesuits. In 1774 were added the herbarium of the new botanical garden. The buildings were extended to designs by Giuseppe Piermarini, who was appointed professor in the Academy when it was formally founded in 1776, with Giuseppe Parini as dean. Piermarini taught at the Academy for 20 years, while he was controller of the city's urbanistic projects, like the public gardens (1787–1788) and piazza Fontana, (1780—1782).

For the better teaching of architecture, sculpture and the other arts, the Academy initiated by Parini was provided with a collection of casts after the Antique, an essential for inculcating a refined Neoclassicism in the students. Under Parini's successors, the abate Carlo Bianconi (1778–1802) and artist Giuseppe Bossi (1802–1807), the Academy acquired the first paintings of its pinacoteca during the reassignment of works of Italian art that characterized the Napoleonic era. Raphael's Sposalizio (the Marriage of the Virgin) was the key painting of the early collection, and the Academy increased its cultural scope by taking on associates across the First French Empire: David, Pietro Benvenuti, Vincenzo Camuccini, Canova, Thorvaldsen and the archaeologist Ennio Quirino Visconti. In 1805, under Bossi's direction, the series of annual exhibitions was initiated with a system of prizes, a counterpart of the Paris Salons, which served to identify Milan as the cultural capital for contemporary painting in Italy through the 19th century. The Academy's artistic committee, the Commissione di Ornato exercised a controlling influence on public monuments, a precursor of today's Sopraintendenze delle Belle Arti.

Milan (Western Lombard language: [miˈlan]; Italian: Milano [miˈlaːno] ( listen)) is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza (created in 2004 splitting the northern part from the province of Milan itself), is one of Europe's largest with an estimated population of over 4 million spread over 1,980 km² (764.48 sq mi), with a consequent population density of more than 2,000 inhabitants/km². The growth of many suburbs and satellite settlements around the city proper following the great economic boom of the 1950s–60s and massive commuting flows suggest that socioeconomic linkages have expanded well beyond the boundaries of the city proper and its agglomeration, creating a metropolitan area of 7.4 million population expanded all over the central section of Lombardy region. It has been suggested that the Milan metropolitan area is part of the so-called Blue Banana, the area of Europe with the highest population and industrial density.