The Louvre

Paris (ⁱ/ˈpærɨs/; French: [paʁi] ( listen)) is the capital and largest city of France. It is situated on the river Seine, in northern France, at the heart of the Île-de-France region (or Paris Region, French: Région parisienne). The city of Paris, within its administrative limits (the 20 arrondissements) largely unchanged since 1860, has an estimated population of 2,211,297 (January 2008), but the Paris metropolitan area has a population of 12,089,098 (January 2008), and is one of the most populated metropolitan areas in Europe. Paris was the largest city in the Western world for about 1,000 years, prior to the 19th century, and the largest in the entire world between the 16th and 19th centuries.

The Musée du Louvre (French pronunciation: [myze dy luvʁ])—in English, the Louvre Museum or simply the Louvre—is one of the world's largest museums, the most visited art museum in the world and a historic monument. A central landmark of Paris, France, it is located on the Right Bank of the Seine in the 1st arrondissement (district). Nearly 35,000 objects from prehistory to the 19th century are exhibited over an area of 60,600 square metres (652,300 square feet).

The museum is housed in the Louvre Palace (Palais du Louvre) which began as a fortress built in the late 12th century under Philip II. Remnants of the fortress are visible in the basement of the museum. The building was extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of antique sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum, to display the nation's masterpieces.

Black-and-white, often abbreviated B/W or B&W, is a term referring to a number of monochrome forms in visual arts.

Black-and-white as a description may be considered something of a misnomer, in that the images are not ordinarily starkly contrasted black and white, but combine black and white in a continuum producing a range of shades of gray. Further, many prints, especially those produced earlier in the development of photography, were in sepia (mainly for archival stability), which yielded richer, more subtle shading than reproductions in plain black-and-white. Of course color photography provides a much greater range of shade, but part of the appeal of black and white photography is its more subdued monochromatic character.

Monochrome photography is photography where the image produced has a single hue, rather than recording the colours of the object that was photographed. It includes all forms of black-and-white photography, which produce images containing tones of grey ranging from black to white. Most modern black-and-white films, called panchromatic films, record the entire visible spectrum. Some films are orthochromatic, recording visible light wavelengths shorter than 590 nanometres.

Black-and-white photography is considered more subtle and interpretive, and less realistic than colour photography. Monochrome images are not direct renditions of their subjects, but are abstractions from reality, representing colours in shades of grey. In computer terms, this is often called greyscale.^{[citation needed]}

Monochrome images may be produced using black-and-white film or paper, or by manipulating colour images using computer software.^{[citation needed]}

Ieoh Ming Pei (born April 26, 1917), commonly known as I. M. Pei, is a Chinese American architect, often called a master of modern architecture. Born in Canton, China and raised in Hong Kong and Shanghai, Pei drew inspiration at an early age from the gardens at Suzhou. In 1935 he moved to the United States and enrolled in the University of Pennsylvania's architecture school, but quickly transferred to the Massachusetts Institute of Technology. He was unhappy with the focus at both schools on Beaux-Arts architecture, and spent his free time researching the emerging architects, especially Le Corbusier. After graduating, he joined the Harvard Graduate School of Design (GSD) and became friends with the Bauhaus architects Walter Gropius and Marcel Breuer. In 1939, he married Eileen Loo, who had introduced him to the GSD community. They have been married for over seventy years, and have four children, including architects C.C. "Didi" Pei and L.C. "Sandi" Pei.

Pei spent ten years working with New York real estate magnate William Zeckendorf before establishing his own independent design firm that eventually became Pei Cobb Freed & Partners. Among the early projects on which Pei took the lead were the L'Enfant Plaza Hotel in Washington, DC and the Green Building at MIT. His first major recognition came with the National Center for Atmospheric Research in Colorado; his new stature led to his selection as chief architect for the John F. Kennedy Library in Massachusetts. He went on to design Dallas City Hall and the East Building of the National Gallery of Art.