Rampart Pavillion - Zwinger Palace Dresden

The Zwinger (Der Dresdner Zwinger) is a palace in Dresden, eastern Germany, built in Rococo style and designed by court architect Matthäus Daniel Pöppelmann. It served as the orangery, exhibition gallery and festival arena of the Dresden Court.

The location was formerly part of the Dresden fortress of which the outer wall is conserved. The name derives from the German word Zwinger (outer ward of a concentric castle); it was for the cannons that were placed between the outer wall and the major wall. The Zwinger was not enclosed until the Neoclassical building by Gottfried Semper called the Semper Gallery was built on its northern side.

Today, the Zwinger is a museum complex that contains the Gemäldegalerie Alte Meister (Old Masters Picture Gallery), the Dresden Porcelain Collection (Porzellansammlung) and the Mathematisch-Physikalischer Salon (Royal Cabinet of Mathematical and Physical Instruments).

Frederick Augustus I or Augustus II the Strong (German: August II der Starke; Polish: August II Mocny; Lithuanian: Augustas II; 12 May 1670 – 1 February 1733) was Elector of Saxony (as Frederick Augustus I), Imperial Vicar and became King of Poland and Grand Duke of Lithuania (as Augustus II).

Augustus' great physical strength earned him the nicknames "the Strong", "the Saxon Hercules" and "Iron-Hand." He liked to show that he lived up to his name by breaking horseshoes with his bare hands and engaging in fox tossing by holding the end of his sling with just one finger while two of the strongest men in his court held the other end.

In order to be elected King of the Polish-Lithuanian Commonwealth, Augustus converted to Roman Catholicism. He owed allegiance to the Imperial Habsburgs as a member of the Order of the Golden Fleece.

As Elector of Saxony, he is perhaps best remembered as a patron of the arts and architecture. He established the Saxon capital of Dresden as a major cultural centre, attracting artists from across Europe to his court. Augustus also amassed an impressive art collection and built lavish baroque palaces at Dresden and Warsaw.

Dresden (German pronunciation: [ˈdʁeːsdᵊn]; Upper Sorbian: Drježdźany) is the capital city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the Czech border. The Dresden conurbation is part of the Saxon Triangle metropolitan area with 2.4 million inhabitants. Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendour. The city was known as the Jewel Box, because of its baroque and rococo city centre. A controversial Allied aerial bombing towards the end of World War II killed 25,000 civilians and destroyed the entire city centre. The impact of the bombing and 40 years of urban development during the East German communist era have considerably changed the face of the city. Some restoration work has helped to reconstruct parts of the historic inner city, including the Katholische Hofkirche, the Semper Oper and the Dresdner Frauenkirche. Since the German reunification in 1990, Dresden has regained importance as one of the cultural, educational, political and economic centres of Germany and Europe.

The Baroque (US /bəˈroʊk/ or UK /bəˈrɒk/) is a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance and music. The style began around 1600 in Rome, Italy and spread to most of Europe.

Baroque architecture is the building style of the Baroque era, begun in late 16th-century Italy, that took the Roman vocabulary of Renaissance architecture and used it in a new rhetorical and theatrical fashion, often to express the triumph of the Catholic Church and the absolutist state. It was characterized by new explorations of form, light and shadow and dramatic intensity.

Whereas the Renaissance drew on the wealth and power of the Italian courts and was a blend of secular and religious forces, the Baroque was, initially at least, directly linked to the Counter-Reformation, a movement within the Catholic Church to reform itself in response to the Protestant Reformation. Baroque architecture and its embellishments were on the one hand more accessible to the emotions and on the other hand, a visible statement of the wealth and power of the Church. The new style manifested itself in particular in the context of the new religious orders, like the Theatines and the Jesuits who aimed to improve popular piety.

The architecture of the High Roman Baroque can be assigned to the papal reigns of Urban VIII, Innocent X and Alexander VII, spanning from 1623 to 1667. The three principal architects of this period were the sculptor Gianlorenzo Bernini, Francesco Borromini and the painter Pietro da Cortona and each evolved their own distinctively individual architectural expression.