Mount Merbabu (Indonesian: Gunung Merbabu) is a dormant stratovolcano in Central Java province on the Indonesian island of Java. The name Merbabu could be loosely translated as 'Mountain of Ash' from the Javanese combined words; Meru means "mountain" and awu or abu means "ash".
The active volcano Mount Merapi is directly adjacent on its south-east side, while the city of Salatiga is located on its northern foothills. A 1,500m high broad saddle lies between Merbabu and Merapi, the site of the village of Selo and highly fertile farming land.
There are two peaks; Syarif (3,119 m) and Kenteng Songo (3,145 m). Three U-shaped radial valleys extend from the Kenteng Songo summit in northwesterly, northeastly and southeastly directions.
Two known moderate eruptions occurred in 1560 and 1797. The 1797 event was rated 2: Explosive, on the Volcanic Explosivity Index. An unconfirmed eruption may have occurred in 1570.
Geologically recent eruptions originated from a North Northwest-South Southeast fissure system that cut across the summit and fed the large-volume lava flows from Kopeng and Kajor craters on the northern and southern flanks, respectively.
Borobudur, or Barabudur, is a 9th-century Mahayana Buddhist Temple in Magelang, Central Java, Indonesia. The monument consists of six square platforms topped by three circular platforms, and is decorated with 2,672 relief panels and 504 Buddha statues. A main dome, located at the center of the top platform, is surrounded by 72 Buddha statues seated inside a perforated stupa.
Built in the 9th century during the reign of the Sailendra Dynasty, the temple's design in Gupta architecture reflects India's influence on the region. It also depicts the gupta style from India and shows influence of Buddhism as well as Hinduism. The monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The journey for pilgrims begins at the base of the monument and follows a path around the monument and ascends to the top through three levels symbolic of Buddhist cosmology: Kāmadhātu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). The monument guides pilgrims through an extensive system of stairways and corridors with 1,460 narrative relief panels on the walls and the balustrades.