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Bronze sculpture Trieste Public art Sculpture of Italy
 
 
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Dressmakers at the port
Italo Svevo
Trieste
Piazza Unità D'Italia
James Joyce in Trieste
Monumento ai Caduti di Trieste
Trieste
Italy Trieste 13
Trieste by night
Alley in Trieste
Facade of a building in Trieste
Gran canale di Trieste
Running to Piazza Unità D'Italia
Soldier
Piazza Unità d'Italia dal pontile
Miramare Castle terrace
Prefettura di Trieste
Marble sculpture in Trieste
ITALIA, Trieste (14)
Portico in Miramare Castle
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Trieste

Trieste (/triːˈɛst/; Italian pronunciation: [triˈɛste]  listen (help·info); Triestine Venetian: Trièst; Slovene, Croatian: Trst; German: Triest) is a city and seaport in northeastern Italy. It is situated towards the end of a narrow strip of Italian territory lying between the Adriatic Sea and Italy's border with Slovenia, which lies almost immediately south and east of the city. Trieste is located at the head of the Gulf of Trieste and throughout history it has been influenced by its location at the crossroads of Germanic, Latin and Slavic cultures. In 2009, it had a population of about 205,000 and it is the capital of the autonomous region Friuli Venezia Giulia and Trieste province.

TEXT FROM WIKIPEDIA, cba SOME RIGHTS RESERVED.
Bronze sculpture

Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply a "bronze".

Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mold. Then, as the bronze cools, it shrinks a little, making it easier to separate from the mold. Their strength and ductility (lack of brittleness) is an advantage when figures in action are to be created, especially when compared to various ceramic or stone materials (such as marble sculpture). These qualities allow the creation of extended figures, as in Jeté, or figures that have small cross sections in their support, such as the equestrian statue of Richard the Lionheart. Modern statuary bronze is 90% copper and 10% tin; older bronze alloys varied only slightly from this composition.

But the value of the bronze for uses other than making statues is disadvantageous to the preservation of sculptures; few large ancient bronzes have survived, as many were melted down to make weapons or ammunition in times of war or to create new sculptures commemorating the victors, while far more stone and ceramic works have come through the centuries, even if only in fragments. As recently as 2007 several life sized bronze sculptures by John Waddell were stolen, likely because of the value of the metal after the work has been melted.

TEXT FROM WIKIPEDIA, cba SOME RIGHTS RESERVED.
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